There have been spies and spying in American history since before the formation of the country. Our history doctor, Bill Smith, reminds us of a few historic episodes.
Ozarks At Large
The Northwest Arkansas Clinical Pastoral Education Institute is hosting a free grief seminar for bereaved parents this weekend .
In January, the Old Fort Homeless Coalition held its annual Point-in-Time Count of sheltered and unsheltered homeless people in the community. Overall, the number of homeless in Fort Smith decreased from last year, though the need for a homeless campus is still apparent.



Next year an LLM degree at the University of Arkansas will be obtainable in a face-to-face setting or from a distance.`
Here is the list of the ten clips we used as our salute to The Wizard of Oz (and the explanation for each):
1. Pinball WIZARD by the Who
2. Jed Clampett as played by Buddy Ebsen, the actor originally cast as the...
3. ...TIN MAN, also the inspiration for a song by America.
4. A 1961 documentary about Ham, sent into space by NASA...a real-life FLYING MONKEY.
5. John Cougar Mellencamp sings Rain on the SCARECROW.
6. Famous television doctor, Dr. OZ.
7. The song Africa by TOTO.
8. A 1966 commercial for the game TWISTER. (as in the phenomenon that sent Dorothy to Oz)
9. The Tokens sing the (cowardly?) LION sleeps tonight.
10. Elton John with the title song from his album Goodbye YELLOW BRICK ROAD.
Apologies to the band Kansas and the song Witchy Woman by the Eagles. Maybe next time.
1. Pinball WIZARD by the Who
2. Jed Clampett as played by Buddy Ebsen, the actor originally cast as the...
3. ...TIN MAN, also the inspiration for a song by America.
4. A 1961 documentary about Ham, sent into space by NASA...a real-life FLYING MONKEY.
5. John Cougar Mellencamp sings Rain on the SCARECROW.
6. Famous television doctor, Dr. OZ.
7. The song Africa by TOTO.
8. A 1966 commercial for the game TWISTER. (as in the phenomenon that sent Dorothy to Oz)
9. The Tokens sing the (cowardly?) LION sleeps tonight.
10. Elton John with the title song from his album Goodbye YELLOW BRICK ROAD.
Apologies to the band Kansas and the song Witchy Woman by the Eagles. Maybe next time.


But as Jacqueline Froelich reports, the lost art of individualized compounding is undergoing a revival—and more intense review. (Photo: Collier Drug Compounding Lab Staff-- front row left to right: Denise Roark, Jana Evensen, Corrie Stout, Melissa Mashburn, back row: Andrew Mize, Justin Bolinger.)
Latest Edition of Ozarks at Large
Thursday, May 15, 2014
Ahead on this edition of Ozarks: in an effort to facilitate further business success in Arkansas, the Arkansas Economic Development Commission has launched a new website, ArkansasFavorsTheBold.com. We'll have a conversation with Grant Tennille, that organization's executive director. Plus, the Fourth Congressional District, geographically the largest in the state is in the midst of a heated Republican race this primary season. We have part one in a series of conversations with each candidate.
To conclude our series on the 2012-2013 theatre season, we focus on musicals. For more information, visit:
Arts Center of The Ozarks
Rogers Little Theater
the U of A Drama Department
Alma Performing Arts Center
the UA Fort Smith Season of Entertainment
Dan Craft, special projects reporter for Northwest Arkansas Newspapers, gives us a preview of a Sunday story about energy in northwest Arkansas.
"Mr. Coal Fire" by Stiff Little Fingers
Jodi from Walton Arts Center is back and has news regarding STOMP, Theater Squared, Symphony of Northwest Arkansas and more,
For more information, visit the Walton Arts Center website here.
A new festival took place last Saturday in Fayetteville. Though it is just one more event on the crowded festival calendar in Fayetteville, the event was surrounded by the idea of helping out.
"Chill House" by The 4
Fayetteville High School has few issues during the first days of classes, U of A students and faculty are nominated for Emmys, and the city of Fayetteville asks the public's opinion of some sidewalk improvements.
“Air” by: Erin McKeown